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November, 2011

  1. Getting Past “I am a Writer”

    November 25, 2011 by katemeadows

    Not long ago, I was talking to my pastor about what I do. You know, my vocation. I am a writer. It’s easy enough to say that now (although, boy, did it take a lot of work to get to that point, to feel legitimate enough to confidently state, “I am a writer”). I told him I write, and he nodded, seeming impressed. Then the next question came: “What do you write?”

    It seems I have cleared one hurdle only to encounter another. That second inevitable question, “What do you write,” has threatened to throw me into a tizzy numerous times. How often am I tempted to say, “I don’t know,” or “a hodgepodge of stuff,” when the ever-exuberant cheerleader in me knows it is so much more. Here was a wide open chance, with my pastor, to assert myself and get serious about the way I promote myself.

    Except I blew it.

    I write essays. I write nonfiction. I wear the hats of both journalist and essayist, and I would like to say I wear them proudly, putting each on as the need or calling dictates. Successes? I’ve had them. National magazines. Chicken Soup for the Soul. A signed contract for a major magazine, where one of my newest essays will appear soon. (More on that in another post.) A publisher knocking at my door with an offer to publish my first book. (More on that later, as well.)

    I could have said all of those things. But I didn’t. I think my answer to his question, “What do you write,” came out something like this: “Um, well, I write nonfiction. Essays and stuff.”

    “Oh?” he says. “Have you been published?”

    “Yes.” I nod meekly, then look down.

    This is where I wait for my husband to come to bat for me, to talk me up and say yes, I’ve been published in X, Y, and Z places. And that I am quite awesome.

    Except he is off chasing our two-year-old son around the backyard, not present in this conversation.

    Why can’t I say these things myself? The answer, in the moment, at least, is my painful attempt to draw the line between modesty and self-depreciation, between assuming confidence and flat-out bragging. That means, I don’t want to ever come across as having a big head about myself. At the same time, I can’t afford to talk myself down – and I know I don’t deserve to be talked down. Yet -my fault seems to lie in leaning a little too far toward the self-depreciating side of the spectrum. So fearful am I of coming across as egotistically proud that I run the other direction, threatening to stomp myself into the mud.

    That’s what I felt happened that night as my pastor and I talked about my vocation. I hardly gave myself a chance; but at least he can’t say I have a big head.

    I left that conversation that night with an icky taste in my mouth. I wanted a second chance, a do-over at that exchange. It didn’t come, of course, but a strong lesson did.

    My second chance will come in the forthcoming times I am asked, “What do you write?” I promise myself that I will respond confidently, that I will answer with assertiveness. It might feel risky at first, claiming success or listing specific accomplishments. But I know a fear of egotism – a fear of becoming a bragger – is a skin I must shed if I want to fully prosper in what I do. That’s not to say being aware isn’t important; of course I never aim to be egotistical. But for myself, I know I deserve better than that head-hanging mumble, “I am a writer.”

     

    *How do you respond when others show interest in your vocation?


  2. Fitting In

    November 18, 2011 by katemeadows

    Okay, I admit it. A born-and-bred Wyoming girl who spent the last 10 years in the Midwest, I cannot figure out to live in California. I put on socks that are too cozy because the house is freezing, when the afternoon outside heats up to 70+ degrees. I stare into my closet on November days, wondering what the heck to put on. All of my jeans have holes in them. (I should fix that.) Capris and a sweater? Does that seem hypocritical? I try it. Not bad.

    One day not too long ago, I dressed my son in a button-down flannel shirt with a moose on it (for those chilly mornings). I wondered if he would get made fun of at his daycare – because, let’s face it, people just don’t wear flannel shirts here. When I went to pick him up, his teachers were in awe that he knew what a moose was. Obviously he’s not from around here, they said.

    He’s not.

    And neither am I.

    My family moved to Orange County, Calif., in July of this year. We were coming off of eight months in Kansas City (our second time living there), which was preceded by 15 months in Omaha. My husband is an engineer, and his job takes us wherever the next power-plant-related project springs up. That means we move a lot.

    Sometimes I think we scream FOREIGNERS, louder than a robust Russian in a southern Baptist church.  It’s uncomfortable (especially when my feet are sweating in those uber-warm socks when we’re at the playground and that relentless sun is in full glory). But I don’t think it’s a bad thing.

    What’s more, I think I am learning to embrace it.

    Sure, it’s easy to get caught up in everything that sucks about moving all the time. It seems like every time we start to go deep with the new relationships we’ve cultivated in one place, we are yanked to another place where we know no one. And it sure gets tiring courting Google Maps for the millionth time, trying to figure out where the heck the nearest Target is, or where my new Spanish-speaking friend, Ruth, lives.

    Yet I can’t help but think God is working. We are learning patience and respect, for ourselves and others. We are learning that most people aren’t all that bad. (You know how your mom always said never talk to strangers? Yeah, well.) We are learning the ins and outs of numerous places, what makes them tick and how they live and breathe. Western Wyoming. Southern Minnesota. Western Indiana. Kansas City. Omaha. Los Angeles.

    And you know what? All of these places are breeding grounds for opportunity. I can say with absolute confidence and honesty that I have connections – deep connections – across the country.

    And here is something else: All of the upending, adjusting, and re-orienting that come when life throws a hurricane at you is fodder for story. As my life keeps moving, I can hardly keep up with the story material that is flying my way.

    *What life experiences have proven to be wells from which you create your own work?


  3. What Constitutes a Depressing Book?

    November 15, 2011 by katemeadows

    Both my husband and my mother-in-law think I read depressing books. My mother-in-law and I often joke about how we have such different tastes in books, yet we talk about books often anyway because, well, we both love them.  But depressing books? I have to disagree.

    Here is what I do love. I love books that are honest and true, books that expose a writer’s triumphs as well as shortfalls. I love books that expose those uglier parts of life artfully, meaningfully, with some sort of probing that writhes in search of answers.

    I love these sorts of books because they remind me: we all have struggles, and despite what our lives look like on the surface, they are never perfect. Not one.

    With that, I am anxious to read Joan Didion’s latest, Blue Nights. I picked it up at a Barnes and Noble the other day, just to read the front and back cover. (Hubby and I were both without our wallets, er, intentionally, so I could not buy it just right then. You wait, though. Pretty soon I will return to B&N with a $20 bill.)

    Here is a paragraph from the book’s back cover: “Blue Nights—the long, light evening hours that signal the summer solstice, ‘the opposite of the dying of the brightness, but also its warning’—like The Year of Magical Thinking before it, is an iconic book of incisive and electric honesty, haunting and profoundly moving.”

    Um, how could I not be intrigued?

    Didion herself comments on the meaning of the book’s title, claiming that so much of her life in these past years has focused on illness and death. Indeed, having lost both a husband and a daughter in the span of two years, how could she not dwell on these grim topics? She refers to blue nights as a dwindling of days, the end of promise.

    Depressing?

    If you choose to look at it that way.

    But I choose to see it as something more. Like Jacob’s wrestling with God in the Bible, books like Blue Nights represent much more than sad and painful stories. They represent a deep-seated search for meaning, in both our own lives and others’.

    And that is the kind of writing I love for.

    ***

    Read a review of Didion’s latest work here.

     

    What types of books do you enjoy reading, and why?


  4. Privilege and Poverty

    November 10, 2011 by katemeadows

    I am listening to an audio book by the Wyoming writer Alexandra Fuller, called Scribbling the Cat. The second of four books she has published, it tells the story of her encounter and subsequent … friendship(?) … relationship(?) … I struggle to find the word here … with K, a former soldier of Africa’s Rhodesian war who, after passing a series of brutal tests, was given a Bazooka and told to go out and scribble (Rhodesian slang for
    “kill”).

    Fuller grew up in Africa in the midst of political turmoil, as small writhing African nations like Rhodesia and Zambia desperately tried to break away from European control. The upbringing she describes in her first book (Don’t Let’s Go the Dogs Tonight), and to some extent, her second, mirrors the personalities of the African countries that were so doggedly trying to carve out their own identities: scrappy, restless, relentlessly perseverant. Fuller comes across as sad and tough, determined and in despair.

    This week, between errands to the post office and Target, to and from church music rehearsals, and on a trip down the mountain from an exhilarating camp trip to Joshua Tree National Park, I came to the part in Scribbling the Cat in which Fuller describes her return to the United States and Wyoming, after having spent a number of months in her home African country. It is after Christmas:

    “In late December, I went home to my husband and children, and to the post-Christmas chaos of a resort town. But instead of feeling glad to be back, I was dislocated and depressed. It should not be physically possible to get from the banks of the Papani River to Wyoming in less than two days, because mentally and emotionally, it is impossible. The shock is too much, the contrast too raw. We should sail or swim or walk from Africa, letting bits of her drop out of us and gradually in this way assimilate the excesses and liberties of the States in tiny, incremental sips … before trying to stomach the Land of the Free and the Brave. Because now, the real, wonderful world around me, the place where we had decided to live with our children because it had seemed like an acceptable compromise between my Zambia and my husband’s America, felt suddenly pointless and trivial and insultingly frivolous. The shops were crappy with a Christmas hangover, too loud and brash. Everything was 50 percent off. There was nothing challenging about being here, at least, not on the surface. The New Year’s party I attended was bloated with people complaining about the weight they had put on over Christmas. I feigned malaria and went home to bed for a week.”

    Her words are so depressing and honest, her outlook so miserable and raw. And this is where I wonder: What do we do as people who have been, not by our own choice, born into a country of such privilege and freedom and excess? How do we respond to those gifts? (I think they’re gifts. You might disagree.)

    I remember the day in 2010 that the devastating earthquake struck Haiti. I remember talking to my mom over the phone, telling her how I felt so guilty and disgusting for continuing to go about my daily duties, completely unaffected physically by the natural disaster that had scarred and killed so many. “I don’t want to eat,” I told her. “I want to forget the grocery shopping this week and send a $100 check to Haiti instead. I feel like I should starve.”

    Mom responded: “You can’t feel that way. It doesn’t do anybody any good.” In other words, my starving myself does nothing to help the person half a world away who is starving for reasons out of her control.

    So then, how do we respond? Do we complain and make ourselves sick over the excess and greed that consumes our country? Do we shell out a hundred bucks to the next organization asking for a cash donation? Do we turn our backs and shrug? Eh, sucks for you. Glad I’m not in your shoes?

    Here is the answer I have come to. I cannot feel guilty for the tremendous privilege I was born into. Doing so would dishonor my God who gave me those blessings in the first place. So I start with thanks, doing my best not to take anything for granted. Obviously I falter and fall short. But at least I can say “thank you” every morning. Then, I seek to serve those around me. My family, friends, acquaintances who are quickly becoming friends in this new home of ours called Orange County. Then, I turn my focus to a few causes I am passionate about. Involving myself in every legitimate organization or cause that needs help would do no good; I am not giving anything if I am not giving wholeheartedly. Broken down, it goes like this:

    I thank.

    I pray.

    I give.

    I pray.

    I thank.

    At 4 a.m., wide awake with the world on my mind, I stare at my coffee cup from the couch.

    “PEACE.”

    The word on the cup.

    “It does not mean to be in a place where there is no noise, trouble or hard work. It means to be in the midst of those things and still be calm in your heart.”

    And finally, consider this. Joshua Tree National Park, a spectacular and intimidating expanse of desert and mountain not three hours from the place where I now live, springs forth both life and death. It is a land of waste or abundance, depending on how you look at it. 


  5. Plotting

    November 3, 2011 by katemeadows

    November is National Novel Writing Month, known in the writing world as NaNoWriMo. Tons of people, professional writers and hobby writers alike, burrow down in beds of words for one month – 30 days – and ideally emerge with a complete draft of a novel. Whew. That’s a lot of work, folks.

    A grad school friend of mine is participating in this (you can learn more or get involved at www.nanowrimo.org), and she posted her progress yesterday on Facebook. I asked her what she was writing about, and she responded with the most compelling, gripping plot line. (I won’t share here, because it is her story, not mine!)

    I was jealous. “Holy cow,” I commented. “You have a knack for plot. I envy.”

    It’s true. As a nonfiction writer and essayist, I excel at description, character development, setting. As an over-thinker, I excel at symbolism and thematic images. But plot? It is my downfall.

    Wow, you might say. A writer who has not mastered plot? Perhaps that’s like a chiropractor with a bad back, or a heart surgeon who smokes. I admit, there are areas in my profession where I could improve. But isn’t that true of us all?

    I often think my lack of knack for plot (oh, the inadvertent rhyme there – sheesh) is one of the reasons why I choose to write nonfiction. In nonfiction, plot lines are playing out all around me. I don’t have to make up the story. I simply get to re-tell it. As the writer, I get to be the artist and craft the story however I choose, as long as it stays bound by truth.

    Here are a couple of other reasons why I write nonfiction. First, there are way too many talented fiction writers out there already. If I added my voice to that mix, it would simply blend into all of the grey and be lost. God did not create me to be a fiction writer. Second, a good ‘ol college professor. During my sophomore year at Gustavus Adolphus College in Minnesota, I wrote a cute little story called “Strawberries in Spring” for a fiction class I was taking. I fell in love with the story, for its beautiful language and symbolism. It was a winner, I was sure. An “A.”

    I think my professor gave me a B- on the assignment. So much had I invested in those few pages of work, I asked to meet with him after class. I wanted to know why he didn’t love it as much as I did.

    Quite simply, he said, “It lacks plot. There is no story here.”

    That stuck. He was honest, and it felt to me at the time, brutal. That was good. It was an important lesson. We all excel at some things, not at others. While I still love that story for its language and symbolism, I see what he was saying. There was no action, no real meat of conflict taking place. Therefore, the story was incomplete.

    I applaud all of the writers and amateurs out there who are undertaking NaNoWriMo this month. I especially stand behind my grad school friend, because I can’t wait to see what she produces out of that rocking idea she has. I hope she’ll share it with me when she’s ready. 

    As for me, I am going to stick to what I have found to be my own true passion: seeking to understand people and their real plights, in all of their complexity and beauty, and paint portraits with words that aim to make sense of all of our very real struggles and triumphs.

    ***

    *What project are you currently working on? What one thing are you struggling with the most on it?